Killing Vows: A Psychological Thriller

She chose the groom. She never asked who arranged the wedding.

Nora has spent nineteen years entering rooms under false names and leaving before anyone understands why she came. She selected Julian Ashford, beautiful, wealthy and trusting, because a bride is handed every key and his family guards a recluse who surfaces only inside their walls. Two hundred guests at Ashford House believe they are watching a love story.
Nora is watching the exits.
Marrying Julian gives her one night inside the estate and one chance to kill the recluse. The plan is immaculate.

Then Julian remembers a detail she never told him, a faded oxblood boathouse she read about once on a page she burned. Soon the family lawyer writes one word about her: Reconsider. At the bar, unasked, the bartender pours her an amaro she only ever wrote on a caterer's form. Someone in Ashford House knows what Nora has never said aloud.

When the family moves dinner up, her window shrinks to twelve minutes. Yet everything is still exactly where she placed it. Now Nora can strike in a house that seems to know her better than she knows herself, or let the recluse walk out alive.

Killing Vows is a vicious, one-night standalone psychological thriller about performance, control, and a trap that feels exactly like her own idea.